Chapter 7 of 52

PART III.

Legends of the Madonna as Represented in the Fine Arts · Mrs. (Anna) Jameson

THE LIFE OF THE VIRGIN FROM THE SOJOURN IN EGYPT TO THE CRUCIFIXION OF OUR LORD.

THE HOLY FAMILY. Proper Treatment of the Domestic Group as

distinguished from the Devotional. The simplest Form that of the

Mother and Child. The Child fed from his Mother's Bosom. The Infant

sleeps.

Holy Family of three Figures; with the little St. John; with St.

Joseph; with St. Anna.

Holy Family of four Figures; with St. Elizabeth and others.

The Holy Family of Five and Six Figures.

The Family of the Virgin grouped together.

Examples of Holy Family as treated by various Artists.

The Carpenter's Shop.

The Infant Christ learning to read.

THE DISPUTE IN THE TEMPLE. The Virgin seeks her Son.

THE DEATH OF JOSEPH.

THE MARRIAGE AT CANA. Proper Treatment of the Virgin in this Subject;

as treated by Luini and by Paul Veronese.

The Virgin attends on the Ministry of Christ. Mystical Treatment by

Fra Angelico.

LO SPASIMO. Christ takes leave of his Mother. Women who are introduced

into Scenes of the Passion of our Lord.

The Procession to Calvary, Lo Spasimo di Sicilia.

THE CRUCIFIXION. Proper Treatment of the Virgin in this Subject. The impropriety of placing her upon the ground. Her Fortitude. Christ recommends his Mother to St. John.

THE DESCENT FROM THE CROSS. Proper Place and Action of the Virgin in

this Subject.

THE DEPOSITION. Proper Treatment of this Form of the Mater Dolorosa.

Persons introduced. Various Examples.

THE ENTOMBMENT. Treated as an historical Scene. As one of the Sorrows

of the Rosary; attended by Saints.

The Mater Dolorosa attended by St. Peter. Attended by St. John and

Mary Magdalene.

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