The Mind and the Brain · Part 2

This is what is demonstrated by abstract reasoning, and this reasoning is further supported by a common-sense argument. The outer world cannot be summarised in a few nervous systems suspended like spiders in empty space. The existence of a nervous system implies that of a body in which it is lodged. This body must have complicated organs; its limbs presuppose the soil on which the animal rests, its lungs the existence of oxygen vivifying its blood, its digestive tube, aliments which it digests and assimilates to its substance, and so on. We may indeed admit that this outer world is not, in itself, exactly as we perceive it; but we are compelled to recognise that it exists by the same right as the nervous system, in order to put it in its proper place.

The second fact of observation is that the sensations we feel do not give us the true image of the material X which produces them. The modification made in our substance by this force X does not necessarily resemble in its nature the nature of that force. This is an assertion opposed to our natural opinions, and must consequently be demonstrated. It is generally proved by the experiments which reveal what is called "the law of the specific energy of the nerves." This is an important law in physiology discovered by Müller two centuries ago, and consequences of a philosophical order are attached to it. The facts on which this law is based are these. It is observed that, if the sensory nerves are agitated by an excitant which remains constant, the sensations received by the patient differ according to the nerve affected. Thus, the terminals of an electric current applied to the ball of the eye give the sensation of a small luminous spark; to the auditory apparatus, the current causes a crackling sound; to the hand, the sensation of a shock; to the tongue, a metallic flavour. Conversely, excitants wholly different, but affecting the same nerve, give similar sensations; whether a ray of light is projected into the eye, or the eyeball be excited by the pressure of a finger; whether an electric current is directed into the eye, or, by a surgical operation, the optic nerve is severed by a bistoury, the effect is always the same, in the sense that the patient always receives a sensation of light. To sum up, in addition to the natural excitant of our sensory nerves, there are two which can produce the same sensory effects, that is to say, the mechanical and the electrical excitants. Whence it has been concluded that the peculiar nature of the sensation felt depends much less on the nature of the excitant producing it than on that of the sensory organ which collects it, the nerve which propagates it, or the centre which receives it. It would perhaps be going a little too far to affirm that the external object has no kind of resemblance to the sensations it gives us. It is safer to say that we are ignorant of the degree in which the two resemble or differ from each other.

On thinking it over, it will be found that this contains a very great mystery, for this power of distinction (specificité) of our nerves is not connected with any detail observable in their structure. It is very probably the receiving centres which are specific. It is owing to them and to their mechanism that we ought to feel, from the same excitant, a sensation of sound or one of colour, that is to say, impressions which appear, when compared, as the most different in the world. Now, so far as we can make out, the histological structure of our auditory centre is the same as that of our visual centre. Both are a collection of cells diverse in form, multipolar, and maintained by a conjunctive pellicule (stroma). The structure of the fibres and cells varies slightly in the motor and sensory regions, but no means have yet been discovered of perceiving a settled difference between the nerve-cells of the optic centre and those of the auditory centre. There should be a difference, as our mind demands it; but our eye fails to note it.

Let us suppose, however, that to-morrow, or several centuries hence, an improved technique should show us a material difference between the visual and the auditory neurone. There is no absurdity in this supposition; it is a possible discovery, since it is of the order of material facts. Such a discovery, however, would lead us very far, for what terribly complicates this problem is that we cannot directly know the structure of our nervous system. Though close to us, though, so to speak, inside us, it is not known to us otherwise than is the object we hold in our hands, the ground we tread, or the landscape which forms our horizon.

For us it is but a sensation, a real sensation when we observe it in the dissection of an animal, or the autopsy of one of our own kind; an imaginary and transposed sensation, when we are studying anatomy by means of an anatomical chart; but still a sensation. It is by the intermediary of our nervous system that we have to perceive and imagine what a nervous system is like; consequently we are ignorant as to the modification impressed on our perceptions and imaginations by this intermediary, the nature of which we are unable to grasp.

Therefore, when we attempt to understand the inmost nature of the outer world, we stand before it as before absolute darkness. There probably exists in nature, outside of ourselves, neither colour, odour, force, resistance, space, nor anything that we know as sensation. Light is produced by the excitement of the optic nerve, and it shines only in our brain; as to the excitement itself, there is nothing to prove that it is luminous; outside of us is profound darkness, or even worse, since darkness is the correlation of light. In the same way, all the sonorous excitements which assail us, the creakings of machines, the sounds of nature, the words and cries of our fellows are produced by excitements of our acoustic nerve; it is in our brain that noise is produced, outside there reigns a dead silence. The same may be said of all our other senses.

Not one of our senses, absolutely none, is the revealer of external reality. From this point of view there is no higher and no lower sense. The sensations of sight, apparently so objective and so searching, no more take us out of ourselves than do the sensations of taste which are localised in the tongue.

In short, our nervous system, which enables us to communicate with objects, prevents us, on the other hand, from knowing their nature. It is an organ of relation with the outer world; it is also, for us, a cause of isolation. We never go outside ourselves. We are walled in. And all we can say of matter and of the outer world is, that it is revealed to us solely by the sensations it affords us, that it is the unknown cause of our sensations, the inaccessible excitant of our organs of the senses, and that the ideas we are able to form as to the nature and the properties of that excitant, are necessarily derived from our sensations, and are subjective to the same degree as those sensations themselves.

But we must make haste to add that this point of view is the one which is reached when we regard the relations of sensation with its unknown cause the great X of matter.[7] Positive science and practical life do not take for an objective this relation of sensation with the Unknowable; they leave this to metaphysics. They distribute themselves over the study of sensation and examine the reciprocal relations of sensations with sensations. Those last, condemned as misleading appearances when we seek in them the expression of the Unknowable, lose this illusory character when we consider them in their reciprocal relations. Then they constitute for us reality, the whole of reality and the only object of human knowledge. The world is but an assembly of present, past, and possible sensations; the affair of science is to analyse and co-ordinate them by separating their accidental from their constant relations.

FOOTNOTES:

[Footnote 3: Connaissance.--The word cognition is used throughout as the English equivalent of this, except in places where the context shows that it means acquaintance merely.--ED.]

[Footnote 4: J. S. MILL, An Examination of Sir Wm. Hamilton's Philosophy, pp. 5 and 6. London. 1865.]

[Footnote 5: A few subtle philosophers have returned to it, as I shall show later in chapter iv.]

[Footnote 6: Thus, the perplexity in which John Stuart Mill finds himself is very curious. Having admitted unreservedly that our knowledge is confined to sensations, he is powerless to set up a reality outside this, and acknowledges that the principle of causality cannot legitimately be used to prove that our sensations have a cause which is not a sensation, because this principle cannot be applied outside the world of phenomena.]

[Footnote 7: See p. 18, sup.--ED.]

CHAPTER III

THE MECHANICAL THEORIES OF MATTER ARE ONLY SYMBOLS

If we keep firmly in mind the preceding conclusion--a conclusion which is neither exclusively my own, nor very new--we shall find a certain satisfaction in watching the discussions of physicists on the essence of matter, on the nature of force and of energy, and on the relations of ponderable and imponderable matter. We all know how hot is the fight raging on this question. At the present time it is increasing in intensity, in consequence of the disturbance imported into existing theories by the new discoveries of radio-activity.[8] We psychologists can look on very calmly at these discussions, with that selfish pleasure we unavowedly feel when we see people fighting while ourselves safe from knocks. We have, in fact, the feeling that, come what may from the discussions on the essence of matter, there can be no going beyond the truth that matter is an excitant of our nervous system, and is only known in connection with, the perception we have of this last.

If we open a work on physics or physiology we shall note with astonishment how the above considerations are misunderstood. Observers of nature who seek, and rightly, to give the maximum of exactness to their observations, show that they are obsessed by one constant prejudice: they mistrust sensation.

A great part of their efforts consists, by what they say, in reducing the rôle of sensation to its fitting part in science; and the invention of mechanical aids to observation is constantly held up as a means of remedying the imperfection of our senses. In physics the thermometer replaces the sensation of heat that our skin--our hand, for example--experiences by the measurable elevation of a column of mercury, and the scale-pan of a precise balance takes the place of the vague sensation of trifling weights; in physiology a registering apparatus replaces the sensation of the pulse which the doctor feels with the end of his forefinger by a line on paper traced with indelible ink, of which the duration and the intensity, as well as the varied combinations of these two elements, can be measured line by line.

Learned men who pride themselves on their philosophical attainments vaunt in very eloquent words the superiority of the physical instrument over mere sensation. Evidently, however, the earnestness of this eulogy leads them astray. The most perfect registering apparatus must, in the long-run, after its most scientific operations, address itself to our senses and produce in us some small sensation. The reading of the height reached by the column of mercury in a thermometer when heated is accomplished by a visual sensation, and it is by the sight that the movements of the balance are controlled; and that the traces of the sphygmograph are analysed. We may readily admit to physicists and physiologists all the advantages of these apparatus. This is not the question. It simply proves that there are sensations and sensations, and that certain of these are better and more precise than others. The visual sensation of relation in space seems to be par excellence the scientific sensation which it is sought to substitute for all the rest. But, after all, it is but a sensation.

Let us recognise that there is, in all this contempt on the part of physicists for sensation, only differences in language, and that a paraphrase would suffice to correct them without leaving any trace. Be it so. But something graver remains. When one is convinced that our knowledge of the outer world is limited to sensations, we can no longer understand how it is possible to give oneself up, as physicists do, to speculations upon the constitution of matter.

Up to the present there have been three principal ways of explaining the physical phenomena of the universe. The first, the most abstract, and the furthest from reality, is above all verbal. It consists in the use of formulas in which the quality of the phenomena is replaced by their magnitude, in which this magnitude, ascertained by the most precise processes of measurement, becomes the object of abstract reasoning which allows its modifications to be foreseen under given experimental conditions. This is pure mathematics, a formal science depending upon logic. Another conception, less restricted than the above, and of fairly recent date, consists in treating all manifestations of nature as forms of energy. This term "energy" has a very vague content. At the most it expresses but two things: first, it is based on a faint recollection of muscular force, and it reminds one dimly of the sensation experienced when clenching the fists; and, secondly, it betrays a kind of very natural respect for the forces of nature which, in all the images man has made of them, constantly appear superior to his own. We may say "the energy of nature;" but we should never say, what would be experimentally correct; "the weakness of nature." The word "weakness" we reserve for ourselves. Apart from these undecided suggestions, the term energy is quite the proper term to designate phenomena, the intimate nature of which we do not seek to penetrate, but of which we only wish to ascertain the laws and measure the degrees.

A third conception, more imaginative and bolder than the others, is the mechanical or kinetic theory. This last absolutely desires that we should represent to ourselves, that we should imagine, how phenomena really take place; and in seeking for the property of nature the most clearly perceived, the easiest to define and analyse, and the most apt to lend itself to measurement and calculation, it has chosen motion. Consequently all the properties of matter have been reduced to this one, and in spite of the apparent contradiction of our senses, it has been supposed that the most varied phenomena are produced, in the last resort, by the displacement of material particles. Thus, sound, light, heat, electricity, and even the nervous influx would be due to vibratory movements, varying only by their direction and their periods, and all nature is thus explained as a problem of animated geometry. This last theory, which has proved very fertile in explanations of the most delicate phenomena of sound and light, has so strongly impressed many minds that it has led them to declare that the explanation of phenomena by the laws of mechanics alone has the character of a scientific explanation. Even recently, it seemed heresy to combat these ideas.

Still more recently, however, a revulsion of opinion has taken place. Against the physicists, the mathematicians in particular have risen up, and taking their stand on science, have demonstrated that all the mechanisms invented have crowds of defects. First, in each particular case, there is such a complication that that which is defined is much more simple than the definition; then there is such a want of unity that quite special mechanisms adapted to each phenomenal detail have to be imagined; and, lastly--most serious argument of all--so much comprehensiveness and suppleness is employed, that no experimental law is found which cannot be understood mechanically, and no fact of observation which shows an error in the mechanical explanation--a sure proof that this mode of explanation has no meaning.

My way of combating the mechanical theory starts from a totally different point of view. Psychology has every right to say a few words here, as upon the value of every kind of scientific theory; for it is acquainted with the nature of the mental needs of which these theories are the expression and which these theories seek to satisfy. It has not yet been sufficiently noticed that psychology does not allow itself to be confined, like physics or sociology, within the logical table of human knowledge, for it has, by a unique privilege, a right of supervision over the other sciences. We shall see that the psychological discussion of mechanics has a wider range than that of the mathematicians.

Since our cognition cannot go beyond sensation, shall we first recall what meaning can be given to an explanation of the inmost nature of matter? It can only be an artifice, a symbol, or a process convenient for classification in order to combine the very different qualities of things in one unifying synthesis--a process having nearly the same theoretical value as a memoria technica, which, by substituting letters for figures, helps us to retain the latter in our minds. This does not mean that figures are, in fact, letters, but it is a conventional substitution which has a practical advantage. What memoria technica is to the ordinary memory, the theory of mechanics should be for our needed unification.

Unfortunately, this is not so. The excuse we are trying to make for the mechanicians is illusory. There is no mistaking their ambition, Notwithstanding the prudence of some and the equivocations in which others have rejoiced, they have drawn their definition in the absolute and not in the relative. To take their conceptions literally, they have thought the movement of matter to be something existing outside our eye, our hands, and our sense; in a word, something noumenal, as Kant would have said. The proof that this is their real idea, is that movement is presented to us as the true outer and explanatory cause of our sensations, the external excitement to our nerves. The most elementary works on physics are impregnated with this disconcerting conception. If we open a description of acoustics, we read that sound and noise are subjective states which have no reality outside our auditory apparatus; that they are sensations produced by an external cause, which is the vibratory movement of sonorous bodies--whence the conclusion that this vibratory movement is not itself a sensation. Or, shall we take another proof, still more convincing. This is the vibratory and silent movement which is invoked by physicists to explain the peculiarities of subjective sensation; so that the interferences, the pulsations of sound, and, in fine, the whole physiology of the ear, is treated as a problem in kinematics, and is explained by the composition of movements.

What kind of reality do physicists then allow to the displacements of matter? Where do they place them, since they recognise otherwise that the essence of matter is unknown to us? Are we to suppose that, outside the world of noumena, outside the world of phenomena and sensations, there exists a third world, an intermediary between the two former, the world of atoms and that of mechanics?

A short examination will, moreover, suffice to show of what this mechanical model is formed which is presented to us as constituting the essence of matter. This can be nothing else than the sensations, since we are incapable of perceiving or imagining anything else. It is the sensations of sight, of touch, and even of the muscular sense. Motion is a fact seen by the eye, felt by the hand; it enters into us by the perception we have of the solid masses visible to the naked eye which exist in our field of observation, of their movements and their equilibrium and the displacement we ourselves effect with our bodies. Here is the sensory origin, very humble and very gross, of all the mechanics of the atoms. Here is the stuff of which our lofty conception is formed. Our mind can, it is true, by a work of purification, strip movement of most of its concrete qualities, separate it even from the perception of the object in motion, and make of it a something or other ideal and diagrammatic; but there will still remain a residuum of visual, tactile, and muscular sensations, and consequently it is still nothing else than a subjective state, bound to the structure of our organs. We are, for the rest, so wrapped up in sensations that none of our boldest conceptions can break through the circle.