Chapter 3 of 5
Othello · Part 3
Othello · William Shakespeare
CASSIO. I have well approved it, sir.—I drunk!
IAGO. You, or any man living, may be drunk at a time, man. I’ll tell you what you shall do. Our general’s wife is now the general; I may say so in this respect, for that he hath devoted and given up himself to the contemplation, mark, and denotement of her parts and graces. Confess yourself freely to her. Importune her help to put you in your place again. She is of so free, so kind, so apt, so blessed a disposition, she holds it a vice in her goodness not to do more than she is requested. This broken joint between you and her husband entreat her to splinter, and, my fortunes against any lay worth naming, this crack of your love shall grow stronger than it was before.
CASSIO. You advise me well.
IAGO. I protest, in the sincerity of love and honest kindness.
CASSIO. I think it freely; and betimes in the morning I will beseech the virtuous Desdemona to undertake for me; I am desperate of my fortunes if they check me here.
IAGO. You are in the right. Good night, lieutenant, I must to the watch.
CASSIO. Good night, honest Iago.
[Exit.]
IAGO. And what’s he then, that says I play the villain? When this advice is free I give and honest, Probal to thinking, and indeed the course To win the Moor again? For ’tis most easy The inclining Desdemona to subdue In any honest suit. She’s fram’d as fruitful As the free elements. And then for her To win the Moor, were’t to renounce his baptism, All seals and symbols of redeemed sin, His soul is so enfetter’d to her love That she may make, unmake, do what she list, Even as her appetite shall play the god With his weak function. How am I then, a villain To counsel Cassio to this parallel course, Directly to his good? Divinity of hell! When devils will the blackest sins put on, They do suggest at first with heavenly shows, As I do now: for whiles this honest fool Plies Desdemona to repair his fortune, And she for him pleads strongly to the Moor, I’ll pour this pestilence into his ear, That she repeals him for her body’s lust; And by how much she strives to do him good, She shall undo her credit with the Moor. So will I turn her virtue into pitch, And out of her own goodness make the net That shall enmesh them all.
Enter Roderigo.
How now, Roderigo?
RODERIGO. I do follow here in the chase, not like a hound that hunts, but one that fills up the cry. My money is almost spent, I have been tonight exceedingly well cudgelled; and I think the issue will be, I shall have so much experience for my pains, and so, with no money at all and a little more wit, return again to Venice.
IAGO. How poor are they that have not patience! What wound did ever heal but by degrees? Thou know’st we work by wit, and not by witchcraft, And wit depends on dilatory time. Does’t not go well? Cassio hath beaten thee, And thou, by that small hurt, hast cashier’d Cassio; Though other things grow fair against the sun, Yet fruits that blossom first will first be ripe. Content thyself awhile. By the mass, ’tis morning; Pleasure and action make the hours seem short. Retire thee; go where thou art billeted. Away, I say, thou shalt know more hereafter. Nay, get thee gone.
[Exit Roderigo.]
Two things are to be done, My wife must move for Cassio to her mistress. I’ll set her on; Myself the while to draw the Moor apart, And bring him jump when he may Cassio find Soliciting his wife. Ay, that’s the way. Dull not device by coldness and delay.
[Exit.]
ACT III
SCENE I. Cyprus. Before the Castle.
Enter Cassio and some Musicians.
CASSIO. Masters, play here, I will content your pains, Something that’s brief; and bid “Good morrow, general.”
[Music.]
Enter Clown.
CLOWN. Why, masters, have your instruments been in Naples, that they speak i’ the nose thus?
FIRST MUSICIAN. How, sir, how?
CLOWN. Are these, I pray you, wind instruments?
FIRST MUSICIAN. Ay, marry, are they, sir.
CLOWN. O, thereby hangs a tail.
FIRST MUSICIAN. Whereby hangs a tale, sir?
CLOWN. Marry, sir, by many a wind instrument that I know. But, masters, here’s money for you: and the general so likes your music, that he desires you, for love’s sake, to make no more noise with it.
FIRST MUSICIAN. Well, sir, we will not.
CLOWN. If you have any music that may not be heard, to’t again. But, as they say, to hear music the general does not greatly care.
FIRST MUSICIAN. We have none such, sir.
CLOWN. Then put up your pipes in your bag, for I’ll away. Go, vanish into air, away!
[Exeunt Musicians.]
CASSIO. Dost thou hear, mine honest friend?
CLOWN. No, I hear not your honest friend. I hear you.
CASSIO. Prithee, keep up thy quillets. There’s a poor piece of gold for thee: if the gentlewoman that attends the general’s wife be stirring, tell her there’s one Cassio entreats her a little favour of speech. Wilt thou do this?
CLOWN. She is stirring, sir; if she will stir hither, I shall seem to notify unto her.
CASSIO. Do, good my friend.
[Exit Clown.]
Enter Iago.
In happy time, Iago.
IAGO. You have not been a-bed, then?
CASSIO. Why, no. The day had broke Before we parted. I have made bold, Iago, To send in to your wife. My suit to her Is, that she will to virtuous Desdemona Procure me some access.
IAGO. I’ll send her to you presently, And I’ll devise a mean to draw the Moor Out of the way, that your converse and business May be more free.
CASSIO. I humbly thank you for’t.
[Exit Iago.]
I never knew A Florentine more kind and honest.
Enter Emilia.
EMILIA. Good morrow, good lieutenant; I am sorry For your displeasure, but all will sure be well. The general and his wife are talking of it, And she speaks for you stoutly: the Moor replies That he you hurt is of great fame in Cyprus And great affinity, and that in wholesome wisdom He might not but refuse you; but he protests he loves you And needs no other suitor but his likings To take the safest occasion by the front To bring you in again.
CASSIO. Yet, I beseech you, If you think fit, or that it may be done, Give me advantage of some brief discourse With Desdemona alone.
EMILIA. Pray you, come in. I will bestow you where you shall have time To speak your bosom freely.
CASSIO. I am much bound to you.
[Exeunt.]
SCENE II. Cyprus. A Room in the Castle.
Enter Othello, Iago and Gentlemen.
OTHELLO. These letters give, Iago, to the pilot, And by him do my duties to the senate. That done, I will be walking on the works, Repair there to me.
IAGO. Well, my good lord, I’ll do’t.
OTHELLO. This fortification, gentlemen, shall we see’t?
GENTLEMEN. We’ll wait upon your lordship.
[Exeunt.]
SCENE III. Cyprus. The Garden of the Castle.
Enter Desdemona, Cassio and Emilia.
DESDEMONA. Be thou assured, good Cassio, I will do All my abilities in thy behalf.
EMILIA. Good madam, do. I warrant it grieves my husband As if the cause were his.
DESDEMONA. O, that’s an honest fellow. Do not doubt, Cassio, But I will have my lord and you again As friendly as you were.
CASSIO. Bounteous madam, Whatever shall become of Michael Cassio, He’s never anything but your true servant.
DESDEMONA. I know’t. I thank you. You do love my lord. You have known him long; and be you well assur’d He shall in strangeness stand no farther off Than in a politic distance.
CASSIO. Ay, but, lady, That policy may either last so long, Or feed upon such nice and waterish diet, Or breed itself so out of circumstance, That, I being absent, and my place supplied, My general will forget my love and service.
DESDEMONA. Do not doubt that. Before Emilia here I give thee warrant of thy place. Assure thee, If I do vow a friendship, I’ll perform it To the last article. My lord shall never rest, I’ll watch him tame, and talk him out of patience; His bed shall seem a school, his board a shrift; I’ll intermingle everything he does With Cassio’s suit. Therefore be merry, Cassio, For thy solicitor shall rather die Than give thy cause away.
Enter Othello and Iago.
EMILIA. Madam, here comes my lord.
CASSIO. Madam, I’ll take my leave.
DESDEMONA. Why, stay, and hear me speak.
CASSIO. Madam, not now. I am very ill at ease, Unfit for mine own purposes.
DESDEMONA. Well, do your discretion.
[Exit Cassio.]
IAGO. Ha, I like not that.
OTHELLO. What dost thou say?
IAGO. Nothing, my lord; or if—I know not what.
OTHELLO. Was not that Cassio parted from my wife?
IAGO. Cassio, my lord? No, sure, I cannot think it, That he would steal away so guilty-like, Seeing you coming.
OTHELLO. I do believe ’twas he.
DESDEMONA. How now, my lord? I have been talking with a suitor here, A man that languishes in your displeasure.
OTHELLO. Who is’t you mean?
DESDEMONA. Why, your lieutenant, Cassio. Good my lord, If I have any grace or power to move you, His present reconciliation take; For if he be not one that truly loves you, That errs in ignorance and not in cunning, I have no judgement in an honest face. I prithee call him back.
OTHELLO. Went he hence now?
DESDEMONA. Ay, sooth; so humbled That he hath left part of his grief with me To suffer with him. Good love, call him back.
OTHELLO. Not now, sweet Desdemon, some other time.
DESDEMONA. But shall’t be shortly?
OTHELLO. The sooner, sweet, for you.
DESDEMONA. Shall’t be tonight at supper?
OTHELLO. No, not tonight.
DESDEMONA. Tomorrow dinner then?
OTHELLO. I shall not dine at home; I meet the captains at the citadel.
DESDEMONA. Why then tomorrow night, or Tuesday morn, On Tuesday noon, or night; on Wednesday morn. I prithee name the time, but let it not Exceed three days. In faith, he’s penitent; And yet his trespass, in our common reason, (Save that, they say, the wars must make examples Out of their best) is not almost a fault To incur a private check. When shall he come? Tell me, Othello: I wonder in my soul, What you would ask me, that I should deny, Or stand so mammering on. What? Michael Cassio, That came a-wooing with you, and so many a time, When I have spoke of you dispraisingly, Hath ta’en your part, to have so much to do To bring him in! Trust me, I could do much.
OTHELLO. Prithee no more. Let him come when he will; I will deny thee nothing.
DESDEMONA. Why, this is not a boon; ’Tis as I should entreat you wear your gloves, Or feed on nourishing dishes, or keep you warm, Or sue to you to do a peculiar profit To your own person: nay, when I have a suit Wherein I mean to touch your love indeed, It shall be full of poise and difficult weight, And fearful to be granted.
OTHELLO. I will deny thee nothing. Whereon, I do beseech thee, grant me this, To leave me but a little to myself.
DESDEMONA. Shall I deny you? No, farewell, my lord.
OTHELLO. Farewell, my Desdemona. I’ll come to thee straight.
DESDEMONA. Emilia, come. Be as your fancies teach you. Whate’er you be, I am obedient.
[Exit with Emilia.]
OTHELLO. Excellent wretch! Perdition catch my soul, But I do love thee! And when I love thee not, Chaos is come again.
IAGO. My noble lord,—
OTHELLO. What dost thou say, Iago?
IAGO. Did Michael Cassio, when you woo’d my lady, Know of your love?
OTHELLO. He did, from first to last. Why dost thou ask?
IAGO. But for a satisfaction of my thought. No further harm.
OTHELLO. Why of thy thought, Iago?
IAGO. I did not think he had been acquainted with her.
OTHELLO. O yes, and went between us very oft.
IAGO. Indeed?
OTHELLO. Indeed? Ay, indeed. Discern’st thou aught in that? Is he not honest?
IAGO. Honest, my lord?
OTHELLO. Honest? ay, honest.
IAGO. My lord, for aught I know.
OTHELLO. What dost thou think?
IAGO. Think, my lord?
OTHELLO. Think, my lord? By heaven, he echoes me, As if there were some monster in his thought Too hideous to be shown. Thou dost mean something. I heard thee say even now, thou lik’st not that, When Cassio left my wife. What didst not like? And when I told thee he was of my counsel In my whole course of wooing, thou criedst, “Indeed?” And didst contract and purse thy brow together, As if thou then hadst shut up in thy brain Some horrible conceit: if thou dost love me, Show me thy thought.
IAGO. My lord, you know I love you.
OTHELLO. I think thou dost; And for I know thou’rt full of love and honesty And weigh’st thy words before thou giv’st them breath, Therefore these stops of thine fright me the more: For such things in a false disloyal knave Are tricks of custom; but in a man that’s just, They’re close dilations, working from the heart, That passion cannot rule.
IAGO. For Michael Cassio, I dare be sworn I think that he is honest.
OTHELLO. I think so too.
IAGO. Men should be what they seem; Or those that be not, would they might seem none!
OTHELLO. Certain, men should be what they seem.
IAGO. Why then, I think Cassio’s an honest man.
OTHELLO. Nay, yet there’s more in this: I prithee, speak to me as to thy thinkings, As thou dost ruminate, and give thy worst of thoughts The worst of words.
IAGO. Good my lord, pardon me. Though I am bound to every act of duty, I am not bound to that all slaves are free to. Utter my thoughts? Why, say they are vile and false: As where’s that palace whereinto foul things Sometimes intrude not? Who has a breast so pure But some uncleanly apprehensions Keep leets and law-days, and in session sit With meditations lawful?
OTHELLO. Thou dost conspire against thy friend, Iago, If thou but think’st him wrong’d and mak’st his ear A stranger to thy thoughts.
IAGO. I do beseech you, Though I perchance am vicious in my guess, As, I confess, it is my nature’s plague To spy into abuses, and of my jealousy Shapes faults that are not,—that your wisdom From one that so imperfectly conceits, Would take no notice; nor build yourself a trouble Out of his scattering and unsure observance. It were not for your quiet nor your good, Nor for my manhood, honesty, or wisdom, To let you know my thoughts.
OTHELLO. What dost thou mean?
IAGO. Good name in man and woman, dear my lord, Is the immediate jewel of their souls. Who steals my purse steals trash. ’Tis something, nothing; ’Twas mine, ’tis his, and has been slave to thousands. But he that filches from me my good name Robs me of that which not enriches him And makes me poor indeed.
OTHELLO. By heaven, I’ll know thy thoughts.
IAGO. You cannot, if my heart were in your hand, Nor shall not, whilst ’tis in my custody.
OTHELLO. Ha?
IAGO. O, beware, my lord, of jealousy; It is the green-ey’d monster which doth mock The meat it feeds on. That cuckold lives in bliss Who, certain of his fate, loves not his wronger; But O, what damned minutes tells he o’er Who dotes, yet doubts, suspects, yet strongly loves!
OTHELLO. O misery!
IAGO. Poor and content is rich, and rich enough; But riches fineless is as poor as winter To him that ever fears he shall be poor. Good heaven, the souls of all my tribe defend From jealousy!
OTHELLO. Why, why is this? Think’st thou I’d make a life of jealousy, To follow still the changes of the moon With fresh suspicions? No. To be once in doubt Is once to be resolv’d: exchange me for a goat When I shall turn the business of my soul To such exsufflicate and blown surmises, Matching thy inference. ’Tis not to make me jealous, To say my wife is fair, feeds well, loves company, Is free of speech, sings, plays, and dances well; Where virtue is, these are more virtuous: Nor from mine own weak merits will I draw The smallest fear or doubt of her revolt, For she had eyes, and chose me. No, Iago, I’ll see before I doubt; when I doubt, prove; And on the proof, there is no more but this: Away at once with love or jealousy!
IAGO. I am glad of it, for now I shall have reason To show the love and duty that I bear you With franker spirit: therefore, as I am bound, Receive it from me. I speak not yet of proof. Look to your wife; observe her well with Cassio; Wear your eye thus, not jealous nor secure. I would not have your free and noble nature, Out of self-bounty, be abus’d. Look to’t. I know our country disposition well; In Venice they do let heaven see the pranks They dare not show their husbands. Their best conscience Is not to leave undone, but keep unknown.
OTHELLO. Dost thou say so?
IAGO. She did deceive her father, marrying you; And when she seem’d to shake and fear your looks, She loved them most.
OTHELLO. And so she did.
IAGO. Why, go to then. She that so young could give out such a seeming, To seal her father’s eyes up close as oak, He thought ’twas witchcraft. But I am much to blame. I humbly do beseech you of your pardon For too much loving you.
OTHELLO. I am bound to thee for ever.
IAGO. I see this hath a little dash’d your spirits.
OTHELLO. Not a jot, not a jot.
IAGO. Trust me, I fear it has. I hope you will consider what is spoke Comes from my love. But I do see you’re mov’d. I am to pray you not to strain my speech To grosser issues nor to larger reach Than to suspicion.
OTHELLO. I will not.
IAGO. Should you do so, my lord, My speech should fall into such vile success Which my thoughts aim’d not. Cassio’s my worthy friend. My lord, I see you’re mov’d.
OTHELLO. No, not much mov’d. I do not think but Desdemona’s honest.
IAGO. Long live she so! And long live you to think so!
OTHELLO. And yet, how nature erring from itself—
IAGO. Ay, there’s the point. As, to be bold with you, Not to affect many proposed matches, Of her own clime, complexion, and degree, Whereto we see in all things nature tends; Foh! One may smell in such a will most rank, Foul disproportion, thoughts unnatural. But pardon me: I do not in position Distinctly speak of her, though I may fear Her will, recoiling to her better judgement, May fall to match you with her country forms, And happily repent.
OTHELLO. Farewell, farewell: If more thou dost perceive, let me know more; Set on thy wife to observe. Leave me, Iago.
IAGO. [Going.] My lord, I take my leave.
OTHELLO. Why did I marry? This honest creature doubtless Sees and knows more, much more, than he unfolds.
IAGO. [Returning.] My lord, I would I might entreat your honour To scan this thing no further. Leave it to time: Though it be fit that Cassio have his place, For sure he fills it up with great ability, Yet if you please to hold him off awhile, You shall by that perceive him and his means. Note if your lady strain his entertainment With any strong or vehement importunity, Much will be seen in that. In the meantime, Let me be thought too busy in my fears (As worthy cause I have to fear I am) And hold her free, I do beseech your honour.
OTHELLO. Fear not my government.
IAGO. I once more take my leave.
[Exit.]
OTHELLO. This fellow’s of exceeding honesty, And knows all qualities, with a learned spirit, Of human dealings. If I do prove her haggard, Though that her jesses were my dear heartstrings, I’d whistle her off, and let her down the wind To prey at fortune. Haply, for I am black, And have not those soft parts of conversation That chamberers have, or for I am declin’d Into the vale of years,—yet that’s not much— She’s gone, I am abus’d, and my relief Must be to loathe her. O curse of marriage, That we can call these delicate creatures ours, And not their appetites! I had rather be a toad, And live upon the vapour of a dungeon, Than keep a corner in the thing I love For others’ uses. Yet, ’tis the plague of great ones, Prerogativ’d are they less than the base, ’Tis destiny unshunnable, like death: Even then this forked plague is fated to us When we do quicken. Desdemona comes. If she be false, O, then heaven mocks itself! I’ll not believe’t.
Enter Desdemona and Emilia.
DESDEMONA. How now, my dear Othello? Your dinner, and the generous islanders By you invited, do attend your presence.
OTHELLO. I am to blame.
DESDEMONA. Why do you speak so faintly? Are you not well?
OTHELLO. I have a pain upon my forehead here.
DESDEMONA. Faith, that’s with watching, ’twill away again; Let me but bind it hard, within this hour It will be well.
OTHELLO. Your napkin is too little;
[He puts the handkerchief from him, and she drops it.]
Let it alone. Come, I’ll go in with you.
DESDEMONA. I am very sorry that you are not well.
[Exeunt Othello and Desdemona.]
EMILIA. I am glad I have found this napkin; This was her first remembrance from the Moor. My wayward husband hath a hundred times Woo’d me to steal it. But she so loves the token, For he conjur’d her she should ever keep it, That she reserves it evermore about her To kiss and talk to. I’ll have the work ta’en out, And give’t Iago. What he will do with it Heaven knows, not I, I nothing but to please his fantasy.
Enter Iago.
IAGO. How now? What do you here alone?
EMILIA. Do not you chide. I have a thing for you.
IAGO. A thing for me? It is a common thing—
EMILIA. Ha?
IAGO. To have a foolish wife.
EMILIA. O, is that all? What will you give me now For that same handkerchief?
IAGO. What handkerchief?
EMILIA. What handkerchief? Why, that the Moor first gave to Desdemona, That which so often you did bid me steal.
IAGO. Hast stol’n it from her?
EMILIA. No, faith, she let it drop by negligence, And, to the advantage, I being here, took ’t up. Look, here it is.
IAGO. A good wench, give it me.
EMILIA. What will you do with’t, that you have been so earnest To have me filch it?
IAGO. [Snatching it.] Why, what’s that to you?
EMILIA. If it be not for some purpose of import, Give ’t me again. Poor lady, she’ll run mad When she shall lack it.
IAGO. Be not acknown on’t, I have use for it. Go, leave me.
[Exit Emilia.]
I will in Cassio’s lodging lose this napkin, And let him find it. Trifles light as air Are to the jealous confirmations strong As proofs of holy writ. This may do something. The Moor already changes with my poison: Dangerous conceits are in their natures poisons, Which at the first are scarce found to distaste, But with a little act upon the blood Burn like the mines of sulphur. I did say so.
Enter Othello.
Look, where he comes. Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou ow’dst yesterday.
OTHELLO. Ha! ha! false to me?
IAGO. Why, how now, general? No more of that.
OTHELLO. Avaunt! be gone! Thou hast set me on the rack. I swear ’tis better to be much abus’d Than but to know’t a little.
IAGO. How now, my lord?
OTHELLO. What sense had I of her stol’n hours of lust? I saw’t not, thought it not, it harm’d not me. I slept the next night well, was free and merry; I found not Cassio’s kisses on her lips. He that is robb’d, not wanting what is stol’n, Let him not know’t, and he’s not robb’d at all.
IAGO. I am sorry to hear this.
OTHELLO. I had been happy if the general camp, Pioners and all, had tasted her sweet body, So I had nothing known. O, now, for ever Farewell the tranquil mind! Farewell content! Farewell the plumed troops and the big wars That make ambition virtue! O, farewell, Farewell the neighing steed and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner, and all quality, Pride, pomp, and circumstance of glorious war! And, O you mortal engines, whose rude throats The immortal Jove’s dread clamours counterfeit, Farewell! Othello’s occupation’s gone!
IAGO. Is’t possible, my lord?
OTHELLO. Villain, be sure thou prove my love a whore; Be sure of it. Give me the ocular proof, Or, by the worth of man’s eternal soul, Thou hadst been better have been born a dog Than answer my wak’d wrath.
IAGO. Is’t come to this?
OTHELLO. Make me to see’t, or at the least so prove it, That the probation bear no hinge nor loop To hang a doubt on, or woe upon thy life!
IAGO. My noble lord,—
OTHELLO. If thou dost slander her and torture me, Never pray more. Abandon all remorse; On horror’s head horrors accumulate; Do deeds to make heaven weep, all earth amaz’d; For nothing canst thou to damnation add Greater than that.
IAGO. O grace! O heaven defend me! Are you a man? Have you a soul or sense? God be wi’ you. Take mine office.—O wretched fool, That liv’st to make thine honesty a vice! O monstrous world! Take note, take note, O world, To be direct and honest is not safe. I thank you for this profit, and from hence I’ll love no friend, sith love breeds such offence.
OTHELLO. Nay, stay. Thou shouldst be honest.
IAGO. I should be wise; for honesty’s a fool, And loses that it works for.
OTHELLO. By the world, I think my wife be honest, and think she is not. I think that thou art just, and think thou art not. I’ll have some proof: her name, that was as fresh As Dian’s visage, is now begrim’d and black As mine own face. If there be cords or knives, Poison or fire, or suffocating streams, I’ll not endure ’t. Would I were satisfied!
IAGO. I see, sir, you are eaten up with passion. I do repent me that I put it to you. You would be satisfied?
OTHELLO. Would? Nay, I will.
IAGO. And may; but how? How satisfied, my lord? Would you, the supervisor, grossly gape on, Behold her topp’d?
OTHELLO. Death and damnation! O!
IAGO. It were a tedious difficulty, I think, To bring them to that prospect. Damn them then, If ever mortal eyes do see them bolster More than their own! What then? How then? What shall I say? Where’s satisfaction? It is impossible you should see this, Were they as prime as goats, as hot as monkeys, As salt as wolves in pride, and fools as gross As ignorance made drunk. But yet I say, If imputation and strong circumstances, Which lead directly to the door of truth, Will give you satisfaction, you may have’t.
OTHELLO. Give me a living reason she’s disloyal.
IAGO. I do not like the office, But sith I am enter’d in this cause so far, Prick’d to ’t by foolish honesty and love, I will go on. I lay with Cassio lately, And being troubled with a raging tooth, I could not sleep. There are a kind of men so loose of soul, That in their sleeps will mutter their affairs. One of this kind is Cassio: In sleep I heard him say, “Sweet Desdemona, Let us be wary, let us hide our loves;” And then, sir, would he gripe and wring my hand, Cry “O sweet creature!” and then kiss me hard, As if he pluck’d up kisses by the roots, That grew upon my lips, then laid his leg Over my thigh, and sigh’d and kiss’d, and then Cried “Cursed fate that gave thee to the Moor!”
OTHELLO. O monstrous! monstrous!
IAGO. Nay, this was but his dream.
OTHELLO. But this denoted a foregone conclusion. ’Tis a shrewd doubt, though it be but a dream.
IAGO. And this may help to thicken other proofs That do demonstrate thinly.
OTHELLO. I’ll tear her all to pieces.
IAGO. Nay, but be wise. Yet we see nothing done, She may be honest yet. Tell me but this, Have you not sometimes seen a handkerchief Spotted with strawberries in your wife’s hand?
OTHELLO. I gave her such a one, ’twas my first gift.
IAGO. I know not that: but such a handkerchief (I am sure it was your wife’s) did I today See Cassio wipe his beard with.
OTHELLO. If it be that,—
IAGO. If it be that, or any that was hers, It speaks against her with the other proofs.
OTHELLO. O, that the slave had forty thousand lives! One is too poor, too weak for my revenge! Now do I see ’tis true. Look here, Iago; All my fond love thus do I blow to heaven. ’Tis gone. Arise, black vengeance, from thy hollow hell! Yield up, O love, thy crown and hearted throne To tyrannous hate! Swell, bosom, with thy fraught, For ’tis of aspics’ tongues!
IAGO. Yet be content.
OTHELLO. O, blood, Iago, blood!
IAGO. Patience, I say. Your mind perhaps may change.
OTHELLO. Never, Iago. Like to the Pontic Sea, Whose icy current and compulsive course Ne’er feels retiring ebb, but keeps due on To the Propontic and the Hellespont; Even so my bloody thoughts, with violent pace Shall ne’er look back, ne’er ebb to humble love, Till that a capable and wide revenge Swallow them up. Now by yond marble heaven, In the due reverence of a sacred vow [Kneels.] I here engage my words.
IAGO. Do not rise yet. [Kneels.] Witness, you ever-burning lights above, You elements that clip us round about, Witness that here Iago doth give up The execution of his wit, hands, heart, To wrong’d Othello’s service! Let him command, And to obey shall be in me remorse, What bloody business ever.
[They rise.]
OTHELLO. I greet thy love, Not with vain thanks, but with acceptance bounteous, And will upon the instant put thee to ’t. Within these three days let me hear thee say That Cassio’s not alive.
IAGO. My friend is dead. ’Tis done at your request. But let her live.
OTHELLO. Damn her, lewd minx! O, damn her, damn her! Come, go with me apart, I will withdraw To furnish me with some swift means of death For the fair devil. Now art thou my lieutenant.
IAGO. I am your own for ever.
[Exeunt.]
SCENE IV. Cyprus. Before the Castle.
Enter Desdemona, Emilia and Clown.
DESDEMONA. Do you know, sirrah, where Lieutenant Cassio lies?
CLOWN. I dare not say he lies anywhere.
DESDEMONA. Why, man?
CLOWN. He’s a soldier; and for one to say a soldier lies is stabbing.
DESDEMONA. Go to. Where lodges he?
CLOWN. To tell you where he lodges is to tell you where I lie.
DESDEMONA. Can anything be made of this?
CLOWN. I know not where he lodges; and for me to devise a lodging, and say he lies here, or he lies there, were to lie in mine own throat.
DESDEMONA. Can you inquire him out, and be edified by report?
CLOWN. I will catechize the world for him, that is, make questions and by them answer.
DESDEMONA. Seek him, bid him come hither. Tell him I have moved my lord on his behalf, and hope all will be well.
CLOWN. To do this is within the compass of man’s wit, and therefore I will attempt the doing it.
[Exit.]
DESDEMONA. Where should I lose that handkerchief, Emilia?
EMILIA. I know not, madam.
DESDEMONA. Believe me, I had rather have lost my purse Full of crusadoes. And but my noble Moor Is true of mind and made of no such baseness As jealous creatures are, it were enough To put him to ill thinking.
EMILIA. Is he not jealous?
DESDEMONA. Who, he? I think the sun where he was born Drew all such humours from him.
EMILIA. Look, where he comes.
Enter Othello.
DESDEMONA. I will not leave him now till Cassio Be call’d to him. How is’t with you, my lord?
OTHELLO. Well, my good lady. [Aside.] O, hardness to dissemble! How do you, Desdemona?
DESDEMONA. Well, my good lord.
OTHELLO. Give me your hand. This hand is moist, my lady.
DESDEMONA. It yet hath felt no age nor known no sorrow.
OTHELLO. This argues fruitfulness and liberal heart. Hot, hot, and moist. This hand of yours requires A sequester from liberty, fasting and prayer, Much castigation, exercise devout; For here’s a young and sweating devil here That commonly rebels. ’Tis a good hand, A frank one.